Search results “Magic lantern comparison”
Canon 5d Mark III Magic Lantern (Raw vs H.264) test 2
http://www.akpe.co.uk/video This is not a scientific test I am really really loving my 5D camera now Settings H.264: 1920x1080 (added black bars in post) ML RAW: 1920x872 ML RAW x3 crop: 2048 x 930 Shot with : Canon 5D Mk3 Canon 24mm 1.4 Canon 70-200mm 2.8 Kumputerbay 64gb 1000x Post in: RAWMagic Adobe Lightroom (for color correction) Adobe after effects(for exporting to ProRess 422HQ) Adobe Premiere cs6(for editing) No sharpening applied to footage Music Art of Noice- Moments in love
Views: 728746 Akpe ododoru
5D Magic Lantern RAW vs. Regular Canon Video Comparison - Bay Area Media Masters - BAMM!
Canon 5D video test on the Russian River, comparing regular Canon H264 video vs. Magic Lantern RAW video. RAW is better, see the difference for yourself. Shot on the Canon 5D Mark II with a Canon 24-70mm 2.8L Regular H264 was shot using Technicolor Cinestyle color profile and graded in Premiere Pro. RAW video was extracted to DNG's by RAW MAGIC, managed in Adobe Bridge, graded in Adobe Camera RAW, and converted into video files in After Effects for editing in Premiere Pro CS6.
Comparing Magic Lantern Raw vs H.264 on My Canon 5D Mark III
http://www.learningdslrvideo.com/magic-lantern-raw-vs-h-264/ Quick comparison between raw vs compressed H.264 on my Canon 5D Mark III. I am mostly testing out the white balance first to get that right before I start doing tests outside. I will try to do a video on my workflow for post processing the raw video in the future. The only thing I processed for the raw video was White Balance and a little bit of sharpening. I noticed that the raw had a little more contrast than the H.264 version (that was surprising) so I added just a hint of contrast to the H.264 to help even out the comparison because for this test I mainly wanted to test for detail only and not other items like dynamic range. So is there a way to not have raw video default to 6200 Kelvin and a +66 tint? I bet there is a menu item I have missed within the Magic Lantern menus that will allow for WB changes to be transferred to programs like Adobe Camera Raw to it remembers how I shot it. Follow Dave on Facebook: http://www.facebook.com/learningdslrvideo Follow Dave on Twitter: http://twitter.com/dugdale Follow Dave on Google+: https://plus.google.com/115600002723737184297/posts Royalty free music by http://www.premiumbeat.com/?utm_source=LearnDSLR&utm_medium=banner&utm_campaign=LearnDSLR
Views: 117443 Dave Dugdale
Bitrate Comparison Magic Lantern | Video DSLR Tutorial
This video compares different bitrates of my Canon 600D through Magic Lantern.
Views: 37168 Video DSLR Tutorial
RAW vs H264 and Picture Styles Comparison - Canon EOS 650D Magic Lantern
Here is a comparison between RAW and H264 video from Canon EOS 650d with picture styles : - Standard [3 0 0 0] - Prolost Flat [0 -4 -2 0] - Prolost tweaked to match Faithful picture style with Colorista II plug-in for Adobe Premiere - Faithful [0 0 0 0] The final video has been exported in H264 High Profile 4.1 CBR 15Mb/s. Of course it's not the best for comparison,but differences are still visible. My Internet connection can't handle lossy video upload at this time, sorry ! More about Prolost picture style here : http://prolost.com/flat Tutorial of the RAW workflow : http://www.gna-productions.com/tutos/how-to-process-magic-lantern-raw-videos Other RAW Video : https://www.youtube.com/watch?v=sZweCHSgV6k http://www.gna-productions.com
Views: 27864 GNA Productions
Canon 1100D Magic Lantern Raw Video Comparison
In-depth video comparing standard Canon h264 vs ML-RAW using a Canon 1100d + Yashica Yashinon 1:2 Lens. I did no post production work on the video at all, its exactly how it came off the camera for the best comparison. Magic Lantern 1100D Experimental Version http://www.mediafire.com/file/22p70iu5oq7viun/Experimental_build_1100D.zip Guide for Setup and Recoding https://www.youtube.com/watch?v=7YE48X7ZmI0 Guide for MLV www.youtube.com/watch?v=EhH_5pqirVo Shot Settings Magic Lantern 14bit Raw Resolution 864x340 FPS 23 Aspect Ratio 2:35:1 Bit Rate 1x Shutter Lock On Magic Lantern MP4 Resolution 1280x720 FPS 23 Aspect Ratio 16:9 Bit Rate 2x Shutter Lock On Canon MP4 Resolution 1280x720 FPS 23 Aspect Ratio 16:9 Bit Rate 1 Shutter Lock Off Sourced Fstop Icon “Photography Elements Collection” by Zirconicusso CC3.0 Attr freepik.com/free-vector/photography-elements-collection_941260.htm Magic Lantern magiclantern.fm/ Fonts “Proxima Nova” by Mark Simonson typekit.com/fonts/proxima-nova “Avenir LT Std” by Adrian Frutiger fonts.com/font/linotype/avenir/family-pack Audio Freesound “Sine Click 05” By GokhanBiyik CC0 freesound.org/people/GokhanBiyik/sounds/324614/ “blip_tail_01” By GokhanBiyik CC3.0 Attr freesound.org/people/GokhanBiyik/sounds/351200/ “CatPurrr” By freedomrhodes CC Sampling Plus 1.0 freesound.org/people/freedomrhodes/sounds/31540/ “noisy server computer” By the_toilet_guy CC 3.0 Attr freesound.org/people/the_toilet_guy/sounds/98930/ “Wind Chimes, A” By InspectorJ CC 3.0 Attr freesound.org/people/InspectorJ/sounds/353194/ Title: erh drone wind.wav Author: ERH Licence: CC Attribution-NonCommercial 3.0 Unported Source: freesound.org/people/ERH/sounds/40724/ Title: Rain on Windows, Interior, A.wav Author: InspectorJ Licence: CC Attribution 3.0 Unported Source: freesound.org/people/InspectorJ/sounds/346642/ Sonniss “CB Radio_Freq 06_Static_Fienup_001” By Soundopolis Licence: sonniss.com/gdc-bundle-license/ Source: sonniss.com/gameaudiogdc2016/ “MAFX001 soft wind chaffinch wren bees” By Mindful Audio Licence: sonniss.com/gdc-bundle-license/ Source: sonniss.com/gameaudiogdc2016/
Views: 4413 Arapaoa Moffat
Increase Bitrate With Magic Lantern! | Bitrate Comparison
Bitrate is one the factors that affects image quality. With older cameras like my Canon 650D starting to look a bit dated, can using Magic Lantern to increase the bitrate of video make the image look better? Instagram: https://www.instagram.com/ben__shinn/
Views: 2011 Always Cinematic
Magic Lantern Timelapse Comparison (Video vs Still)
Recently I was messing with the timelapse on my Canon 6D and shot two videos - one using Magic Latern's fps setting in video mode and the other using Magic Latern's timelapse settings. Both videos were shot at 1 frame per second and with the camera's settings staying the same.
Views: 38 Richard Layman
Red Scarlet vs 5D Mark III Magic Lantern Raw Comparison
Red Scarlet vs. 5D Mark III Magic Lantern Raw - Comparison @ 1080p NOTES: For more accurate results, hit the 'Download' tab and download 'Original .MOV file' Stuttering in the lower angle 5D3 shots was from boat vibrations. This is not from the hack and can be fixed with warp stabilizer, but I wanted to keep full resolution in those shots. Also, the power lines aren't aliasing in the 5D3 footage as some have noted...they are painted with black & white stripes: ryanlightbourn.com/uploads/5d3raw/power_lines.jpg Shot back & forth between the two cameras on the same day. Minor grading done in ACR & RCX to match contrast. No sharpness added. Scarlet footage shot in 4k, downscaled 50% to 1080p. Lenses used: Tokina 11-16mm & Zeiss 25mm 2.8 (both with Formatt 1.2 ND) My thoughts browsing through the raw footage: Scarlet has slightly more of a filmic/pro look (maybe due to having more dynamic range overall?) and a slight edge in sharpness. 5D3 raw has less noise, and holds more detail in the shadows. Download 1080p version for a better comparison. Song: Hans Zimmer - Time
Views: 7398 Camera & Lens Review
H.264 CineStyle VS Magic Lantern RAW
Personal project to explore the capabilities of Magic Lantern that enables raw video recording on the 5D Mark II. Shot with Technicolor CineStyle. Equipment: Lens: Canon 50mm f/1.2 + 24-70mm f/2.8 Memory Card: Lexar 32Gb 1000X Slider: Glidetrack HD Slider (GL-HD) Lighting: YONGNUO DIGITAL YN 300 - ll Pro LED Video Light Color Grading Software: DaVinci Resolve Recording Resolution: Magic Lantern RAW: 1728x972 (16:9) (Continuos) Standard Video Mode: Quicktime MOV (h.264): 1920x1080 LUT: Technicolor CineStyle LUT for MOV files. Download: http://www.technicolor.com/en/solutions-services/cinestyle Hunter's 5D Mark III LUT for CinemaDNG files. Download: http://www.mediafire.com/download/edi527vmjmgfe42/Hunters_5D3_LUT_beta_v1.cube Workflow: https://vimeo.com/67970827 Thanks For Watching!
Views: 23645 Kristaly Productions
EOS M Magic Lantern RAW vs h264 Video Test Comparison
EOS M Magic Lantern RAW vs h264 Video Sample With a Kingston 95MB/s SDXC I was able to increase the resolution to 1600x670 (2.39:1) which shoots reliably for around 15 seconds at 24p.
Views: 2903 BarTech TV
[Canon 7D] Magic Lantern RAW - Flat vs Grading Comparison
Quick testing of Magic Lantern RAW feature on my 7D. The comparison shows completely untouched images (except applying BMD Film Color Space) versus various grading test. Shooting: Shot handheld with Canon EF 28-135 IS lens I was looking for high contrast and details on purpose. I am still amazed about the quality, much better than native 1080p h264! Magic Lantern is really... Magic! Resolution was limited to 1344x572 (then downscaled to 1280x544) because my CF is pretty slow (30Mb/s) and it allows to record ~300 seconds before the buffer is filled up. I could set 1280x544 for longer recording but i wanted to test the maximum resolution available. Moirè is pretty visible on some shot but honestly i expected worse (no VAF filter) Workflow: Please keep in mind i am a real newbie about grading but as a beginner i like a lot the results. I didn't even get close to those results with h264 footage! I'm learning DaVinci Resolve and i think it works very well with RAW (actually DNG) files, especially if you set the clip's Color Space/Gamma to BMD Film (looks very similar to BMPCC footage!) Using "Arri Alexa LogC to REC709" 3D LUT looks a good starting point for grading. If you notice bandings, especially in the sky, it's cos of h264 export. In Resolve, it's absolutely smooth with no banding at all, just a bit of grain in dark areas but is really "film look" not the ugly digital noise. Even in low light it performs very well and you can easily remove the noise in post production. The "bad side" is... filling up a 32Gb card in few minutes but, as many other said, when you shoot RAW, you don't wanna go back anymore!
Views: 24721 Fabio Ugolini
Raw vs H.264 Comparison - Canon 5D MkIII Magic Lantern 1080p
Comparison between the factory default H.264 and Raw with Magic Lantern.
Views: 2399 Kristian Kebbe
5D Mark II Raw Video Comparison - Magic Lantern - Bay Area Media Masters - BAMM!
Comparison of shooting Canon's standard H264 video compression vs. shooting RAW video using Magic Lantern on the 5D Mark II. Raw video recorded at 1880 x 1058 and upscaled 2.2% to 1080p. ISO: 160 - Sigma 50mm f1.4 @ 2.8 - Shutter Speed: 1/47 - ND1.8 www.bayareamediamasters.com
Magic Lantern Raw vs H.264 Comparison
5D Mark III
Views: 121 Henry Wang
Magic Lantern RAW - 5D MK III comparison
This video compares the differences between Magic Lantern's RAW video and normal h.264 video from the Canon 5D MK III. I tried to keep the two clips as similar as possible. This is my first real attempt at grading RAW video so any tips would be greatly appreciated! MUSIC CREDIT - KLIM BEATS, Sunny Day
Views: 606 Thomas Schaefer
Lillehammer, Norway - Magic Lantern Raw comparison
A comparison of an unedited and an edited Magic Lantern Raw shot from my Canon 70D.
Views: 211 Martin Andersen
Dual Iso vs. Standard Raw Comparison - Magic Lantern
In this video I will show you the difference between Dual Iso Raw (HDR) and Standard raw photos. The Dual iso feature is great but you must sacrifice resolution in shadows/highlights as well as a great deal of noise in shadows. This feature allows for High Dynamic Range (HDR) photographs/video in just one shot. You can choose your iso combination, ex. 100/400, 100/1600/, 400/1600 and many more combinations. Only for Raw photos/Videos. I enjoy this feature but it is still a work in progress for the Developers at Magic Lantern. http://youtu.be/7bM9tmJnbig A New Video Exposing to the Right I made a mistake when exposing for this video. When shooting raw it is best to expose to the right (ettr) so that less noise is visible but unfortunately I did not do this. One more Dual ISO Example: http://fineartamerica.com/featured/pink-flower-robby-ruef.html Dual ISO H.264: http://youtu.be/XmfB3lfowbQ Thanks for watching! Be sure to Like, Comment, Subscribe, and Share! Have a great day! Shot on My Canon 600d With NewMem build. Warning: Magic lantern is considered a dangerous product to use. I am in no way liable for any damage to your computer/camera as a result of using this program. I have had no problems with Magic Lantern but be cautious. http://west-swell.com
Views: 18740 R Ruf
Canon 7d Magic Lantern raw vs h.264 video comparison in low light
Canon 7d + 50mm F1.8 @ 1080p 24fps First clip is Magic Lantern raw, second clip is h.264 straight from the camera, third clip is h.264 adjusted for brigthness/contrast and sharpened, last clip shows raw again for comparison. All clips were shot with the same white balance and left that way to accurately display color variations. Overall the quality in low light is similar once you adjust the h.264 footage however the raw footage is much sharper and colors are more accurate. I used the 50mm F1.8 to show how versatile the lens is for its low cost, with proper stabilization there is no reason to spend more if you can't afford a better lens for low light situations.
Views: 20816 Cameron Scott
Codec Comparison: normal vs magic lantern vs raw  vs hdr
In today's episode of Cheap Filmmaker I will compare the Different recording formats and compare them side by side, Normal vs Magic lantern vs Raw vs HDR, we will look into details of the image and the dynamic range offered by each of them
Views: 3855 Cheapfilmmaker
Sony a7R ii VS Canon 5D iii (Magic Lantern Raw)
For the side-by-side comparison, the Sony (SLOG2, 4K, S35 crop) is on the left and the Canon (1080P) is on the right. Various lenses. The focus slightly off on the 5D3 on the CU. a7R ii footage was graded in Premiere with the 'Neutral Start' creative look and then tweaked the exposure and saturation. 5D3 raw footage brought into Resolve in BMD Film Color space and then applied Cinelog. In Premiere, I added the Alexa Default LogC2Rec.709 LUT and made a few exposure and contrast tweaks. No windows used for footage from either camera. The footage could have been stylized further by hand or film emulation, but this seemed like a good point to stop in terms of showing those skintones.
Views: 9518 QuickHitRecord
How to shoot Magic Lantern RAW video (mlv) witch Canon DSLR [workflow Part 1]
Part 2: https://youtu.be/EhH_5pqirVo How to install Magic Lantern: https://youtu.be/_wpKjChQHgs My camera* (US): http://amzn.to/2vtLTqy • Germany: http://amzn.to/2g8TDMG My Software* (US): http://amzn.to/2wsor1i • Germany: http://amzn.to/2w2xsNJ Fast SD Cards* (US): http://amzn.to/2hrAD96 • Germany: http://amzn.to/2y1uxqy Anti-Aliasing Filter: https://youtu.be/1kG7QawvXEI Basics about DSLR filming: https://youtu.be/1x8b9jadcks Comparison Table: https://docs.google.com/spreadsheets/d/16cgnRivbUv7nA9PUlCLmLdir3gXdIN3pqzCNAAybepc/edit#gid=5 Music by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ My Lenses: - Canon EF-S 18-55mm* • US: http://amzn.to/2w96gLs • Germany: http://amzn.to/2wCCrWW - Canon EF-S 24mm* • US: http://amzn.to/2vtuFtp • Germany: http://amzn.to/2w2LazZ - Canon EF 50mm* • US: http://amzn.to/2xgXZFr • Germany: http://amzn.to/2wKUKZ3 Support me by buying on Amazon*: - United States : http://amzn.to/2fDKxHs - Germany: http://amzn.to/2rBZ9fK *If you buy via this link I earn a small amount of money. It doesn't cost you more than buying something on Amazon normally. Patreon: https://www.patreon.com/user?u=5373579 PayPal: https://www.paypal.me/MerlinFlexer Instagram: https://www.instagram.com/merlinflexer/
Views: 189232 Merlin Flexer
Magic Lantern Movie Crop Mode Comparison-EOS M with the Moon
The Newest EOS M Camera is the M6: http://amzn.to/2urDIiY Magic Lantern for is popular-but some of the modes are perhaps, un-needed? What about "Movie Crop Mode"...does it actually do anything? I mean, how much of a difference could it really make? Find out! We compare ML running on the Canon EOS-M camera, an 18-55mm lens (much like you'd find in a kit/starter) and the 70-300mm zoom lens. 300mm gets you close to the moon, can Movie Crop Mode get you closer? Thanks again to Bensound http://www.bensound.com/ for the music!
Magic Lantern HDR and RAW video comparison before TSE
This is the last sunset before TSE-2017 and this is the final equipment test. Sky-Watcher ED80: d=80mm, F=600mm, F/d=7.5 Canon 6D + Magic Lantern firmware Still tripod (shaking is mostly coming from hands clicking REC button) Look at the big Jello in HDR part. RAW looks much better, but its resolution is limited to 720p. HDR can be shot at 1080p.
Views: 356 saltrus
Dual iso vs. Standard Raw Comparison - Magic Lantern - Redo
In my last video about Dual ISO I did not properly expose for proper editing of raw cr2 files. In this video I exposed to the right for both standard raw and Dual ISO raw. This feature from Magic Lantern can increase the dynamic range captured from a Canon DSLR by as much as 3 stops. This gives increased editing latitude for high dynamic range scenes. Downsides to using Dual ISO are Reduced Resolution in Shadows and Highlights, Aliasing/Moire and a purple-ish hue to the photo/video (which can be removed). Post production involves running the Dual ISO video/photograph through the CR2HDR program which can be found on Magic Lantern's Website: www.MagicLantern.fm Thanks for Watching! Be sure to LIKE, COMMENT, SUBSCRIBE and SHARE Have a great day! Warning: Magic Lantern is considered to be potentially dangerous to Canon Digital SLR's. I am not responsible for any broken equipment as a result of using this program. Use at your own risk... http://west-swell.com
Views: 4794 R Ruf
Magic Lantern Higher Bit rate comparison on Canon EOS M
Magic Lantern Higher Bit rate comparison on Canon EOS M A comparison of the effects of increasing the Maximum CBR value using Magic Lantern on the Canon EOS M to 2x default. Increasing the bit rate reduces compression artefacts, most noticeable on areas with big blocks of colour or in low light.
Views: 6790 BarTech TV
Magic Lantern Raw Video Comparison vs. Native H.264 on Canon 7D: Indepth Samples, Tips & Tricks
Visit the blog post for links to everything talked about in the video: http://jmprocreative.com/?p=3101 Support by liking on facebook: http://facebook.com/jmprocreative/ So I've finally gotten around to doing some in-depth side by side tests of the Magic Lantern RAW Video plugin module on my Canon 7D. The allure of 14bit RAW video allows for an extreme amount of flexibility in the post-production process. As well as, the surprising amount of added detail and clarity is quite impressive. The RAW video capability through the Magic Lantern "hack" add-on software for Canon DSLRs most certainly breathes new life and excitement into our beloved cameras. [/dropcap] But of course, all of the hype around RAW video comes at the expense of an extensive post-production workflow (for now) and of course the overall reliability and usability is not as stable as it could be. Not to mention the extreme amount of space you'll need in memory cards and hard drives to accommodate the RAW workflows. Other issues such as continuous video only possible at a max resolution of 1728x786 - a recording aspect ratio of 2.35:1 as opposed to 16:9. In this video I run through a few different shots of video comparing the same shots done in both the Magic Lantern RAW video as well as the Native H.264. There is definitely a great amount of possible issues to deal with such as "dead pixels" (as explained in the video) and not a huge amount of support just yet in the post production world.
Views: 21929 Julian Meli
Canon 600D Magic Lantern Raw Video Comparison
I thought I'd give raw video a try on my 600D. The highest resolution that my SD card was able to sustain was 960 x 480p at 24 fps. For a side by side comparison I cropped the H.264 compressed video originally recorded at 1080p to the same resolution as the raw video. The panning you see in the raw footage was done by the digital dolly feature in Magic Lantern. The results speak for themselves .The compressed Youtube video doesn't do the raw footage justice. The color fidelity, image detail, highlight detail retained by the 14-bit raw video is nothing short of spectacular when compared to the H.264 compressed video. Raw video on Canon SLRs is truly revolutionary. Once you have experienced the level of control you have with raw, there is no going back. SD-card equipped SLRs are not practical for raw video due to the low resolution you are limited to. It is time to save up for a 5D Mark III. Refer to the following forums for installing ML builds with raw video capabilities: http://www.magiclantern.fm/forum/index.php?board=49.0 http://www.magiclantern.fm/forum/index.php?topic=5413.0 600D builds: https://bitbucket.org/OtherOnePercent/tragic-lantern-2.0/downloads
Views: 24019 K Danko
Canon 7d Magic Lantern raw video comparison to H.264 1080p 24fps
Magic Lantern Alpha 2 24fps 1600x600 raw vs 1080p 24fps ISO 800, white balance 5600k and F4.0 No color correction applied, slight contrast and brightness adjustment to each as well as sharpening. Feel free to ask any questions in the comments, I just started using ML 2 days ago and this has been a learning experience. I followed these instructions for raw to dng with rawanizer and then after effects and premiere pro http://www.magiclantern.fm/forum/index.php?topic=6021.0 Shot this on a Lexar 16gig 800x card because I couldn't find a 1000x anywhere. The best thing I'm noticing is how easy it would be to get a film look when using raw instead of h.264 it opens up many possibilities with the 7d. Follow these instructions http://www.magiclantern.fm/forum/index.php?topic=7464.0 Read the disclaimer, this is alpha no guarantees if it bricks your camera we assume no responsibility.
Views: 17096 Cameron Scott
EOS M Magic Lantern Video RAW (MLV) Comparison
http://www.eljza.com/malheur/170108_Compare_MLV_to_H264.7z ↑ You can download the original files. Comparison about Magic Lantern Video Raw (MLV) and H264. EOS M (2.0.2) EF 24-70 2.8L Magic Lantern (2016-12-18 build) 1) H264 CBR Bitrate x2.5 1920x1080p 2) MLV_REC module (include the ML) 1280x720p developed by MlRawViewer 1.3.3 Thanks for watching.
Views: 1188 thetype39
Magic Lantern Raw / Canon 5D Mark III, h.264 vs raw comparison
Test nr. 14 HD RAW with Magic Lantern Canon 5Diii, 50mm, CF - 1066x Lexar 32 GB ISO - 100. Resolution: 1920x818 Fps: 23.976 RAW converter - RAWanizer; Soft: Adobe Premiere Pro CC and Adobe After Effects CC; Color correction: auto (mostly); Color grading: preset (the lazy way); Render: h.264, Profile - high, VBR 2 pass (25/25), max rend quality
Views: 400 Povilas Norvila
Canon 700D Magic Lantern raw vs h.264 video comparison TEST
Bu videoyu YouTube Video Düzenleyicisi (http://www.youtube.com/editor) ile oluşturdum
Views: 961 Tekno Ultra
60D Magic Lantern RAW to h.264 Comparison
Shot on Canon 60D with Canon 24-70L f/2.8 using Magic Lantern nightly build magiclantern-v2.3.NEXT.2013Jul14 with the included raw_rec module loaded manually. Maximum record time to Lexar Professional 16GB SDHC Class 10 card was approximately 300 frames or 12.5 seconds. The RAW video was recorded at 1280x720 resolution which takes a centre crop of the sensor that I overlaid on the 1920x1080 h.264 video. I used After Effects CS6 with the "Open with Camera RAW" option to import the DNG sequence created by the raw2dng executable with no adjustments other than white balance. The CineStyle video has a minor exposure adjustment to make it closer to the linear gamma of the processed RAW video but no sharpening which I found emphasized the compression artefacts without much improvement to the image. The latest DaVinci Resolve 9.1.5 can also open the DNG sequence but doesn't correct any dead pixels so the result is rather "splotchy", I'll have to see if there is a way to correct it but for now AE seems to be the best approach.
Views: 2044 Haxxorfreak
Format comparison and tutorial 50 fps raw, magic lantern
Clips filmed with a 5d mark 3, no post processing except fixing white balance. Comparing mainly two formats in 50fps filmed with Magic lantern raw Apect ratios compared: 1728 x 606 and 1920 x 672 Both aspect ratios restretched and converted to 1920 x 1080p 1728 x 606(continuous), 50fps gives continuous recording while 1920 x 672 last around 5 sec before stopping. 00:50 Included also a short workflow in after effects how to restretch and render several files at once into one ProResHQ file. Tutorial starts after the examples. Thanks for watching and head into the forum for more information. www.magiclantern.fm
Views: 3987 dudek53
Magic Lantern  : RAW/Dual ISO/HDR Video comparison Painting
Thanks to Magic Lantern and MLV App which are the best weapons to shoot and handle raw videos. I used to post-processed in raw2cdng / cr2hdr to handle raw/dual iso footages. It`s a time consuming task until I tried MLV App which is the best software to process raw clips now. Shot by Canon 5D MARK III + 85mm F1.2L II USM F5.6 1/30sec
Views: 594 Pin Wu
Canon EOS 6D Video : Magic Lantern Raw vs. All-I at 24FPS
Homepage : http://blog.sag-cheese.de / FB : http://bit.ly/2hTzp8c / IG : https://goo.gl/iKIsFr ________________________ A quick comparison with the Canon EOS 6D in video mode, its Magic Lantern RAW vs. build-in All-I Codec Read more in the blog-article : http://wp.me/pU5hn-1Ij ________________ Music from DeMooz : https://goo.gl/zgpIz9 under CC Licence : http://goo.gl/7uTh
Views: 39759 blog.sag-cheese.de
Canon 5D Mark III DSLR RAW vs. H.264 Video - Magic Lantern RAW Video
So I finally got my Lexar 1066x CF card delivered, so I decided to put together this little comparison/test video with the footage I was shooting to test out workflows and settings for shooting RAW video on my 5D3, as well as how much of an advantage it offers over shooting with the native H.264 video compressor. Definitely liking what I'm seeing so far, and the other added features of ML are totally also worth it. Hardware: Camera: -Canon 5D MKIII DSLR Lenses: -Canon 16-35mm f2.8L -Canon 24-105mm IS f4L -Canon 70-200mm IS f4L Cards: -Sandisk Extreme Pro 32GB SDHC (Magic Lantern boot card) -Lexar 64GB 1066x CF Card (writing to this card) Software: -MLVMystic v0.5 (convert MLV to DNG + WAV) -Adobe After Effects CC (with Adobe Camera Raw) -Adobe Premiere Pro CC Music: **NOTE** Music has been replaced for copyright purposes.
Views: 51613 Steven Hayes
Compare MAGIC LANTERN 5D MARK II Raw H.264 Video Review
Comparison of 5d mark ii video and magic lantern raw. Is there any difference? See for yourself. Stay tuned for Film lighting techniques, tips and tutorials. Only used a 600x card so could only get about 5 to 6 secs of shooting at 1880x800. The picture profile was set to faithful. None of the images were color corrected so its straight from the camera Lens used 24-105L series by canon Lighting was with Redhead 800 watt Cowboy studio daylight softbox White poster board used as bounce card. Canon Magic lantern 5d mark ii. Subscribe and if you have anymore questions please leave comment below. Stay tuned for Film lighting techniques, tips and tutorials. Included: camera shots, angles, framing, movement, focus, white balance, composition, lighting, animation, blue/green screen, keying, colour adjusting, cloning, slow-motion, image effects, transitions and sound editing Peace and Love Kool
Magic Lantern Prducer & davinci resolve Comparison
MLV producer easy way best qualty output render
Views: 636 Tekno Ultra
Magic Lantern Dual ISO / HDR Video comparison
Canon H.264 Landscape profile / Magic lantern Dual ISO / Magic lantern HDR Video comparison Shot by Canon 5D MARK III + 85mm F1.2L II USM F5.6 1/60sec ISO 100
Views: 280 Pin Wu
Dual ISO Raw. vs standart raw.vs H264.Comparison-Magic Lantern-
DUAL ISO raw: ISO: 100/800 - Standart raw - ISO 100 Standart H264 ISO 100 MAGİC LANTERN TEST CANON D700
Views: 1526 Tekno Ultra
Magic lantern RAW & H.264 Comparisons - CANON 700D
Views: 1531 Tekno Ultra
Magic Lantern  : RAW/Dual ISO/HDR Video comparison:WomenLoveSmartphoneAPP
Thanks to Magic Lantern team and MLV App which are the best weapons to shoot and handle raw videos. I used to post-processed in raw2cdng / cr2hdr to handle raw/dual iso footages. It`s a time consuming task until I tried MLV App which is the best software to process raw clips now. Shot by Canon 5D MARK III + 85mm F1.2L II USM In this video,I love H.264 more than the others.
Views: 372 Pin Wu
Canon 60D Magic Lantern RAW video - high ISO value comparison
This is an unscientific test on high value iso (1600 - 3200 - 6400) to compare H.264 and RAW from Magic Lantern ...
Views: 1068 Marmoladafilms
Get the film look with free Magic Lantern firmware
Magic Lantern is a free software add on for your Canon DSLR that effectively upgrades its features to help you capture better footage. This tutorial goes over the Magic Lantern installation, some tips on getting started with the extra features for filmmaking, and some safety tips to make sure it doesn't damage your camera. Something I forgot to mention: Magic Lantern has not been updated for the latest firmware on the Canon 5D Mark III. The latest firmware Magic Lantern supports is 1.2.3. You can downgrade using the Eos Utility app. Links from the video: http://www.usa.canon.com/internet/portal/us/home/support http://wiki.magiclantern.fm/userguide http://wiki.magiclantern.fm/install http://wiki.magiclantern.fm/faq Jake Coppinger - first year Australian university student. Feel free to comment or email me with any questions or thoughts! WEBSITE: http://www.jakecoppinger.com TWITTER: https://twitter.com/jakecoppinger CONTACT: [email protected]
Views: 193626 Jake Coppinger